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Review of Dancing with Myself at the Pinault Collection

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Cindy Sherman, “Untitled (Bus Riders)” (1976) photographCindy Sherman, “Untitled (Bus Riders)” (1976) photograph
My art review of the multi-decade self-portraiture show Dancing with Myself at Pinault Collection, Punta della Dogana, Venice, Italy has been published at Hyperallergic
https://hyperallergic.com/444066/dancing-with-myself-punta-della-dogana-...


review of the Kader Attia & Jean-Jacques Lebel exhibition L’Un et l’Autre (One and Other)

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Kader Attia & Jean-Jacques Lebel exhibition L’Un et l’Autre (One and Other)Kader Attia & Jean-Jacques Lebel exhibition L’Un et l’Autre (One and Other)
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Art review of the Kader Attia & Jean-Jacques Lebel exhibition L’Un et l’Autre (One and Other) at the Palais de Tokyo in Paris has been published at Hyperallergic
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Review of Nicolas Schöffer Retroprospective

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Brigitte Bardot and The Prism 1968Brigitte Bardot and The Prism 1968

Review of Nicolas Schöffer Retroprospective at Lille Métropole Museum of Modern, Contemporary and Outsider Art (LaM)
https://hyperallergic.com/440598/nicolas-schoffer-retroprospective/


Tribute to Cecil Taylor

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Cecil TaylorCecil Taylor
Cecil Taylor's music for me was a combination of tenderness and strength. As he has passed away, I have decided to put on my blog my 2002 review of Cecil Taylor in concert at Alice Tully Hall that appears in my book Immersion Into Noise 


Michelangelo and the Virtual

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Michelangelo, “Studies for Sistine Ceiling” (circa 1508-12), collection of The Cleveland Museum of ArtMichelangelo, “Studies for Sistine Ceiling” (circa 1508-12), collection of The Cleveland Museum of Art
Art review of Michelangelo: Divine Draftsman and Designer at the Metropolitan Museum of Art

https://hyperallergic.com/424815/michelangelo-traces-the-states-of-being...


Review of Dada Africa: Non-Western Sources and Influences

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Hannah Hoch, “From the Collection of an Ethnographic Museum No. IX” (1929) collageHannah Hoch, “From the Collection of an Ethnographic Museum No. IX” (1929) collage

Art review of Dada Africa: Non-Western Sources and Influences at Musée de l’Orangerie, Paris
https://hyperallergic.com/425850/the-dadaists-fevered-dreams-of-africa/


Review of Pop Art: Icons that Matter

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Andy Warhol, “Electric Chair” (1971), silkscreen, 90 × 121.6 cm, donated by Peter M. Brant (© Adagp, Paris, 2017)Andy Warhol, “Electric Chair” (1971), silkscreen, 90 × 121.6 cm, donated by Peter M. Brant (© Adagp, Paris, 2017)
My art review of Pop Art: Icons that Matter https://hyperallergic.com/421128/pop-goes-the-ugly-american-stereotypes/


Review of Fernand Léger retrospective that blurred the line between human and machine

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Fernand Leger and Dudley Murphy, Ballet mecanique, 1924Fernand Leger and Dudley Murphy, Ballet mecanique, 1924

Art review of a major retrospective of Fernand Léger that reveals how the French artist anticipated the increasingly blurred line between human and machine.

https://hyperallergic.com/391612/fernand-leger-centre-pompidou-metz/


Reviewing Archéonauts

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Eduardo Kac, “Reabracadabra” (1985/2015), 24.5 x 25 x 24.5 cm, Minitel animation loop (courtesy Galerie Charlot)Eduardo Kac, “Reabracadabra” (1985/2015), 24.5 x 25 x 24.5 cm, Minitel animation loop (courtesy Galerie Charlot)
Art review of Archéonauts at Galerie Charlot https://hyperallergic.com/379345/post-internet-artists-crack-open-our-te...


Golem!

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Walter Schulze-Mittendorff, “Robot from Fritz Lang’s film Metropolis” (1926), copy created by the Louvre in 1994, résine peinte,Walter Schulze-Mittendorff, “Robot from Fritz Lang’s film Metropolis” (1926), copy created by the Louvre in 1994, résine peinte,
Art review of Golem! Avatars d’une légende d’argile at Musée d’art et d’histoire du Judaïsme (Paris)


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